A Darwinian question currently exercises my mind. It is turning over in my head as I sit in my car for five stolen minutes before I re-enter a fray that has me *this* far from snapping.
What is the evolutionary purpose of PMS? In a species which relies on vesting massive amounts of long term care to ensure the survival of offspring, and therefore genes, why gift the women with the potential for unprovoked anger which combines with existing parental irritation to create a murderous, young-eating rage? I don't get it.
On the plus side, the Old Git saw it coming and took over before I terminated our shared genetic heritage with extreme prejudice.
My reluctance to start the engine and drive back into the campsite where our tent is pitched brings to mind my mother's comments when I told her we were going camping as a family for the first time.
"I'm really happy that you have such wonderful memories of camping as a child," she said, "but speaking mother to mother, don't do it. Just don't."
Too late, I realise what she meant. I suspect there isn't a mother out there who wouldn't be tempted to smother squabbling offspring using a damp sleeping bag as rain beats down on her canvas prison.
22 August 2010
11 August 2010
Fun with physics
Son of Rosa is now officially eight and growing up fast. I am enjoying the small increases in freedom ("You're a big boy now, so you can get your own breakfast"), although it comes at a price ("Why is there weetabix and milk all over the floor?").
Birthdays always seem to be a voyage of discovery in Rosaland. Last year I discovered that a bouncy castle party for 25 seven year olds is a whole different ball game to a bouncy castle party for 25 five year olds. Seven year olds are adventurous. They want to go higher and faster. My nerves were still jangling two weeks later. That was the year we terminated proper parties in favour of outings. Since Son of Rosa had copped an accidental headbutt on one of the inflatables and had the mother of all nosebleeds on his birthday, he didn't object.
The year before we learned not to even bother buying pizza with vegetables on it for a party of six year olds. Forget healthy eating and just don't. On the plus side, the dogs were thrilled with all the leftovers.
This year's learning curve had more of a physics flavour to it, courtesy of Aerial Extreme in Milton Keynes.
ATTENDANT, HOOKING UP ROSA'S SAFETY LINE TO FOLLOW THE GROUP OF SMALL BOYS ROUND THE COURSE: Is one of them yours?
ROSA: Yes, the one in front wearing the yellow tee-shirt.
ATTENDANT: Oh, the dramatic one.
Indeed. The one shrieking as he hung on to a rope bridge further up the course. Son of Rosa is a bit of a ham.
The course was straightforward enough, though, once he got over the urge to scream at everything. The physics lesson came when we did the big jump. The big jump is a 14 metre drop from a high platform wearing a harness. Faced with five nervous but eager boys, I wasn't about to chicken out; I couldn't afford to scare them and spoil their fun, plus I wasn't about to be left behind by a bunch of kids (and yes, this attitude has got me into a few hair-raising situations over the years).
Like a mother duck on a river bank, I watched them jump off one by one and float down to the ground. As Son of Rosa got near the bottom, his voice floated back up to the platform, "Awesome!" closely followed by: "Can I do it again?"
Then it was Mummy's turn. A turn where I discovered that mummies who weigh three times as much as their sons reach the ground a bit quicker than them. The word we're looking for here is 'plummet'.
They are building an even higher drop soon, called Goliath. Son of Rosa wants to do it.
Son of Rosa is on his own.
04 August 2010
The Scream is out
It's available to read in the August edition of Static Movement. The picture above was taken by my niece, DarkPhoenix15, specifically to go with the story. She's studying photography at college so I commissioned her to produce a photograph to use with the story on my website. Got to love those talented nieces to pieces.
23 July 2010
Scream has a home
Static Movement has accepted The Scream for its August issue, which has me jumping up and down with glee. I'm back on the horse. Now to brush the rust off the armour and think about submitting some new material.
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| Image by kind permission of http://www.foxtrotters.tripod.com/ |
18 July 2010
Back on the horse
After a long, long break I'm writing and submitting again. I'm having fun, although that will probably change when I get my first rejection back. I plan to start with the flash stories and ignore the full length projects that buried me last time. That way lies despair and blank pages that laugh at me and my pencil until we both sag like chocolate teapots.
The owners of the magazine that folded before The Scream saw the light of day have released it, so I'm starting there.
Wish me luck.
19 June 2010
Permission to comment?
A friend recently asked a question on her blog about why people look down on romance. I planned to give my opinion as a comment on her blog but, as sometimes happens with me, it turned into a long ramble that really needed its own space.
So, permission requested to (affectionately) state an alternative position, complete with weak analogies and personal preferences.
I think a disclaimer is called for here before I begin. Everybody should be allowed to read what they enjoy without judgement. Bottom line: peeps is peeps and there are no wrong answers. However, that said, I have my opinions.
First of all, I put my hand on my heart and state that I'm a genre person. After a long period reading sci-fi and fantasy, where I started to feel I'd already read the same story several times whenever I picked up something new, I branched out into chick-lit comedies, mysteries and thrillers and enjoyed them. In the same vein I tried to branch out into romance and literary fiction. With both I found myself unsatisfied.
In the case of the literary fiction I couldn't quite believe that I'd got to the end and still nothing had happened. I felt like I'd wasted x hundred pages waiting for them to get interesting and they never did. After a few experiences like that I shrugged my shoulders and moved on, having decided that clearly it went over my head and I would just stick with the populist stuff.
I was more surprised that I couldn't enjoy romances. In most of the books I had read in other genres, the romance and human interaction was what made the book for me. Yes, I wanted to know whether they saved the world or found the killer, but whether they got together was equally, if not more important to me. So why couldn't I enjoy a book where the getting together was the main theme and not the side plot?
The best way I can put it is to compare it to food. To me, eggs on hot buttered toast is delicious comfort food; one of those magic combinations. In an ill-considered flirtation with the South Beach diet a few years ago I tried to give up the toast and just eat the eggs. Within a week I was ready to kill someone if I saw another egg without bread. It just lacked everything that made the combination so appealing.
Romance is my egg; it just doesn't work on its own. That is not to say that it is impossible for me to enjoy a romance, ever, but I need more. Give me suspense, some action and adventure, or mystery, and I'll lap it up. Snuggle that romance up with a comedy, the way Jennifer Crusie does, and I'll beg for more. Combine it with fantasy or sci-fi? Well first of all, you'll have to be a superb writer because they are uneasy bedfellows. A bad sci-fi romance can set a new definition for bad, but do it well and I'll worship you. I have yet to see it, so if somebody can point me in the right direction that would be wonderful. Paranormal romance isn't it. That's just romance with added fangs, fur or ectoplasm (delete as necessary).
It occurs to me as I scribble that perhaps our problem is the labels. Why do stories have to be one thing or the other? Why does so much romance lack other content to make it interesting? I'd like to read more stories that challenge genre and open my reading experience up.
And just because snark is my nature and I can only suppress it for so long, I will say that good romance is my egg waiting for bread. In my dabbling in the genre I have read some terrible ones where both hero and heroine failed my 'do you want to push them both under a bus' test with honours. Please protect me from sappiness, plotless potboilers and TSTL (too stupid to live) protagonists, because even bread can't save some things.
So, permission requested to (affectionately) state an alternative position, complete with weak analogies and personal preferences.
I think a disclaimer is called for here before I begin. Everybody should be allowed to read what they enjoy without judgement. Bottom line: peeps is peeps and there are no wrong answers. However, that said, I have my opinions.
First of all, I put my hand on my heart and state that I'm a genre person. After a long period reading sci-fi and fantasy, where I started to feel I'd already read the same story several times whenever I picked up something new, I branched out into chick-lit comedies, mysteries and thrillers and enjoyed them. In the same vein I tried to branch out into romance and literary fiction. With both I found myself unsatisfied.
In the case of the literary fiction I couldn't quite believe that I'd got to the end and still nothing had happened. I felt like I'd wasted x hundred pages waiting for them to get interesting and they never did. After a few experiences like that I shrugged my shoulders and moved on, having decided that clearly it went over my head and I would just stick with the populist stuff.
I was more surprised that I couldn't enjoy romances. In most of the books I had read in other genres, the romance and human interaction was what made the book for me. Yes, I wanted to know whether they saved the world or found the killer, but whether they got together was equally, if not more important to me. So why couldn't I enjoy a book where the getting together was the main theme and not the side plot?
The best way I can put it is to compare it to food. To me, eggs on hot buttered toast is delicious comfort food; one of those magic combinations. In an ill-considered flirtation with the South Beach diet a few years ago I tried to give up the toast and just eat the eggs. Within a week I was ready to kill someone if I saw another egg without bread. It just lacked everything that made the combination so appealing.
Romance is my egg; it just doesn't work on its own. That is not to say that it is impossible for me to enjoy a romance, ever, but I need more. Give me suspense, some action and adventure, or mystery, and I'll lap it up. Snuggle that romance up with a comedy, the way Jennifer Crusie does, and I'll beg for more. Combine it with fantasy or sci-fi? Well first of all, you'll have to be a superb writer because they are uneasy bedfellows. A bad sci-fi romance can set a new definition for bad, but do it well and I'll worship you. I have yet to see it, so if somebody can point me in the right direction that would be wonderful. Paranormal romance isn't it. That's just romance with added fangs, fur or ectoplasm (delete as necessary).
It occurs to me as I scribble that perhaps our problem is the labels. Why do stories have to be one thing or the other? Why does so much romance lack other content to make it interesting? I'd like to read more stories that challenge genre and open my reading experience up.
And just because snark is my nature and I can only suppress it for so long, I will say that good romance is my egg waiting for bread. In my dabbling in the genre I have read some terrible ones where both hero and heroine failed my 'do you want to push them both under a bus' test with honours. Please protect me from sappiness, plotless potboilers and TSTL (too stupid to live) protagonists, because even bread can't save some things.
16 June 2010
Thought you'd quit writing, huh?
Alas, not fiction, but an article about LED lighting to submit to a trade journal.
The moral of the story is never let your boss know you write as a hobby. It will come back to haunt you in unexpected ways.
The moral of the story is never let your boss know you write as a hobby. It will come back to haunt you in unexpected ways.
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